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Ronald Wilson
Lonely Man
Giant / Dub Store
Routinely passed over, King Edwards ska is for the gods, so a phase of Dub Store reissues is a mouth-watering prospect.
This opening salvo is low-slung, moody, trombone-led fire.
The leader usually goes by the diminutive Ron, reserving Ran and Rad for his Pantomine sides. He was an Alpha Boys alumnus, a Soul Brother after Don D’s departure, and an Upsetter for Blackboard Jungle.
Wayne and Larry Douglas’ flip is the A-side of the original Rio 45, from 1965: a stomper illumined with sweet lyrics about suffering, gratitude, and fidelity.
Available for the first time since its original release in 1980, this is compelling, funky, exploratory jazz from Melbourne, Australia.
The album opens with the floating Song For Bobby, a downtempo gem with the heartbeat aura of Herbie Hancock’s Butterfly; Orchestral Excerpts (From The Symphony Of Life), In The Basement and City Of Stone are high-grade fusion jams with one eye on Weather Report and Return to Forever, the other on the organic Australian sound of Alan Lee and John Sangster. The album closes out with the completely improvised Universal Suite, a 17-minute excursion which begins with a cinematic opening reminiscent of electric Miles at his most introspective before taking flight on passages of hard-driving Latin percussion, shimmering fusion and gritty funk. Slick, cultured and in close dialogue with the most advanced sounds of the era, Pyramid documents one of Australia’s great fusion bands at the height of their powers.
Ace, key DB. ‘The perfect bridge between his spacey late-60s attempts to mimic Miles, and his tighter early-70s jazz-funk with the Mizells.’ Trumpet-tenor-flute; Duke Pearson on electric piano.
A hard-enamel lapel pin (with back post and gold metal clutch); the size of a 2p coin.
Several new colourways.
‘Warm, mysterious and alluring, the Trio’s debut album maintains a balanced interaction at once intimate and almost limitlessly expansive. The leader’s unmistakable tone and improvisational verve are naturally a focal point, but there is no doubt that we are dealing with a proper band. Cellist Joel Ring and drummer Øystein Aarnes Vik are masterfully light-footed and tight, calmly driving the music forward, filling it with colour and texture… and still there is room for the influential Norwegian pianist Jon Balke, who guests on three tracks.
‘The compositions are strong, immediate and captivating. For all its eccentricities, the music has a broad, timeless appeal, running from the distant past far into the future. It takes you by the hand, to show you that the world is still a magical and enchanted place.’
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