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Susanna Flower Of Evil
Terrific analogue recordings of inimitable covers of Thin Lizzy, Nico, Black Sabbath, Abba, Sandy Denny etc, with support from Will Oldham and labelmates Supersilent.






Trembling Bells New Year's Eve's The Loneliest Night Of The Year
A terrific, bountiful seasonal single with Bonnie Prince Billy in his cups on one side, and Mike Heron from The Incredible String Band on the other, with a Boxing Day ghost story. Beautifully sleeved, limited.



Trembling Bells Carbeth
'Jesus fucking shit! These jamz claw so hard at the tatties below methinks the Lord misnamed them, having intended to say trembling BALLS' (Will Oldham). 'My kind of band... Highly recommended' (Joe Boyd).



Trembling Bells Abandoned Love
'brilliant... concise, deeply romantic, totally original ****' (Mojo); 'freewheeling and delightfully quirky ****' (The Guardian); 'CD Of The Week... terrific' (The Observer); 'like nobody ****' (Sunday Times).



Trembling Bells The Constant Pageant
'New levels of excellence... a poetic incantation of British identity far brighter than Michael Gove's proposed GCSE history syllabus *****' (The Sunday Times). 'Magnificent ****' (The Guardian).



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Trembling Bells, Bonnie 'Prince' Billy, Muldoon's Picnic Duchess EP
Entirely exclusive music, unique to this release, with a radiant silk-screened sleeve: four from The Marble Downs sessions with Will Oldham, a Scott Walker to start; and a side of unaccompanied folk singing.




Inigo Ugarteburu Back And Forth
Gorgeous, downbeat, giddy with reverie, longing and loss. Led by Inigo's guitar, banjo, ukelele or harmonium; with classic brass-band charts. Recorded by James Blackshaw's engineer; mastered by Rashad.



Inigo Ugarteburu For The Unknown
An intriguing, brave departure off to Chicago with his classical guitar, to take his chances on the wing with its improv and avant scene. Field recordings, synths, trombone, piano, bicycles, 20-string steel bass....



Voice Of The Seven Woods Voice Of The Seven Woods
Well worth the wait! A stunning blend of Jansch-Graham-style fingerpicking, Turkish psych, acid rock, even a touch of Krautrock. Way ahead of the pack and no doubt one of the year's most essential releases!




Why Are We Building Such A Big Ship? No Blood No Blooms
Warmly recommended scrappy contemporary gypsy-folk from the Mississippi camp. Accordion, upright bass, full brass, basic percussion; lovely silk-screened sleeves, limited.



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