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Sato Kunitaka Wandering Shadow Of Southern Streets
Blind travelling musician with a voice as intensely haunted and elemental as Charley Patton not standard Okinawa fare at all accompanying himself on sanshin (southern shamisen) and tategoto (upright koto).



Sroeng Santi Kao Mai Rak Rao Rhok
Driving, widescreen funk, with squalling guitar, funk horns, and Santi compelling as ever. Plus a rocking molam instrumental with droning khaen, woozy percussion and staunch phin. Pretty killer seven.



Teddy Robin And The Playboys Magic Colours
Sixties garage, beat and psych from Hong Kong.







The Son Of P.M. Hey Klong Yao!
A hep, hopped-up mix of Thai instruments with keyboards, drums and electric guitars; an addictive 60s blend of homegrown melodies and rock (notably The Shadows), surf, go-go, Latin, blues.



Theppabutr Productions The Man Behind The Molam Sound, 1972-75
Profiling producer Theppabutr Satirodchompu the first in a series of albums celebrating the key-players of modern molam music, from Northeast Thailand. Limited vinyl from Light In The Attic.



Thonghuad Faited The North East Thai Violin of Thonghuad Faited
Virtuosic, sor-led molam music from Isan, the province bordering with Laos and Cambodia sprightly melodies through haunting dirges, over woozy basslines, drones, clattering percussion.


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