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Wayfaring Strangers Lonesome Heroes
Male folk singers mithering and dithering all the way from 1970 to 1983, very introspective, sombre, spare and intimate, most of it originally pressed privately, plenty of it beautiful and haunting.



Elyse Weinberg Elyse
Another great lost 60s folk album this one from Canada, and it's a killer. Ragged, quirky and lovely with a great Jansch cover, her own storming Band of Thieves, even Neil Young guesting.



Why Are We Building Such A Big Ship? No Blood No Blooms
Warmly recommended scrappy contemporary gypsy-folk from the Mississippi camp. Accordion, upright bass, full brass, basic percussion; lovely silk-screened sleeves, limited.




William Eaton Music By William Eaton
A private pressing in 1978 the first recordings of this entrancing, sun-dappled music, for 6 and 12-string guitars, and Eaton's own, handmade, utterly beautiful string instruments.



Lucinda Williams Ramblin' On My Mind
Her 1978 album debut winning versions of blues, country and folk classics from the likes of Robert Johnson, Memphis Minnie, and Hank Williams reissued in the finery of the original.



Work Hard, Play Hard, Pray Hard Hard Time, Good Time And End Time Music, 1923-1936
Country and hillbilly 78s: songs about work, hardship and loss; dance tunes, comic numbers, and novelties; hymns and sacred pieces.
Pay hard, too.



Yikhes Early Klezmer Recordings, 1907-1939
Jewish wedding music recorded in the US by Eastern European immigrants. The title means Lineage.



Townes Van Zandt Texas Troubadour
All seven Poppy and Tomato LPs, his best stuff, and the 1973 live set At The Old Quarter.



Townes Van Zandt Live At The Old Quarter, Houston, Texas
Wonderful early recordings, some of his very best, from a small club, 18 by 38 feet, in 1973.



Townes Van Zandt Absolutely Nothing
Excellent early-nineties live stuff, numerous classic songs, and a handful of studio recordings at death's door.



Townes Van Zandt Sunshine Boy: The Unheard Studio Sessions And Demos 1971-72
Demos, outtakes and alternate versions from the 1972 sessions for High, Low and The Late Great, his masterpieces. '***** Holy Grail stuff' (Mojo); '10/10 about as good as anything in this world gets' (Uncut).