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Brigitte Fontaine
Brigitte Fontaine Est... Folle

SUPERIOR VIADUCT

Smart, exuberant, deftly experimental French pop, crossing chanson and the nouvelle vague, with brilliant arrangements by Jean Claude Vannier.





Accordeon Musette, Swing: Paris 1925-1954
The Parisian musette style — from the accordion-banjo-drum trios typically heard in dance halls in the Roaring Twenties, to the refined swing of the 1940s.






Amira Amulette
Spellbinding, lovesick ballads and blues— traditional sevdah songs from Bosnia, also Macedonia and Kosovo, deftly jazzed-up.



Amira, Merima Kljuco Zumra
Slow, brokenhearted Bosnian sevdah. Wonderful singing, with stripped down, accordion accompaniment. Absolutely terrific.



Anastenaria, Vatican Shadow, Pete Swanson Anastenaria
Uncanny, fervid music from fire-walking rituals — 1979 field recordings from northern Greece — alongside killer new invocations of the spirit-world… excoriated, dread, ecstatic, driven.






Belarus Traditional Music
Mainly female vocal ensembles performing seasonal, child-bearing and wedding songs, with instrumental dance excursions by violin, reed-pipe, cymbalum, accordion and drum.



Georges Brassens Gare Au Gorille
The key fifties recordings of the great anarchist songwriter. For Alex Kapranos — 'his lyrics were more subversive than Dylan or the Sex Pistols and he wrote better tunes than either.' Tremendous.



C'Est Chic! French Girl Singers Of The 1960s
Great-fun, expertly-assembled, well-presented collection of ye-ye girl pop, featuring Francoise Hardy (of course) alongside BB, Anna Karina (from the Godard films) and co. An LP now, too.



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