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Aicha Redouane Maqam D'Amour
The magnificent Moroccan singer in settings of eighth-century poems by the Sufi saint Rabi’a Al-'Adawiyya.




Beihdja Rahal Sur Un Air De Nouba
Intimate, affecting singing and dramatic settings of classical Andalusian-Algerian M'djanba and Mazmum noubas, accompanied by tar and darbuka percussion, lute, violin, qanun zither, and stringed kwitra.



Group Doueh Beatte Harab
A cosmic take on Saharoui roots: traditional Moorish instruments like the three-string tinidit lute, ardin harp, clay tbal drum, and tea glasses, together with guitar and Korg synth, and Halima's exalted singing.



Waking Up Scheherazade Vol 2
Rough and terrific sixties and seventies rock shit from North Africa and the Middle East, on beautifully coloured vinyl, attractively sleeved.



Ouled Bambara Portraits Of Gnawa
Unmissable film footage, as it says in The Wire, and a full CD.



L'Ensemble Nassim El Andalous Homage To Redouane Bensari
The particular Gharnati tradition of classical Arab-Andalusian music — less influenced by Ottoman music than in Algiers or Constantine — brought at the end of the 1960s to Oran from Tlemcen.



Morocco Jilala Confraternity
The ritual music of this mysterious denomination, based around singing, with two flutes, called qasba, and sizzling bendir drum.



Morocco The Middle Atlas, Sacred And Secular Music
For Saints Festivals, mystic Sufi dances, weddings and circumcisions; private gatherings; and music to rouse the faithful during Ramadan. Qasba flute (with circular breathing), ghembri lute, bendir drum.




Group Doueh Treeg Salaam
'Compiled from Group Doueh’s personal archives, these five tracks (note sidelong piece on the flip), are as brain shifting in their ecstatic brilliance as any music ever heard.'



Omar Souleyman Highway To Hassake: Folk And Pop Sounds Of Syria
Drawn from the hundreds of Souleyman cassettes released since 1994, this is Dabke — delirious, invigorating party music, churning every Arabic style into rough and ready electronics and drums.



Group Doueh Guitar Music From The Western Sahara
Electric guitar and tinidit, with keyboards, two female voices and drums — raw, distorted, thrilling, like an unhinged Hendrix automatic-drawing Mauritanian and Sahrawi roots.




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