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No Right Turn
Prog-folk from Derbyshire, 1983, with Jayne Marsden's luminous singing likely to appeal to fans of Vashti Bunyan and Linda Perhacs.



Noahlewis' Mahlon Taits Gift From Noahlewis' Mahlon Taits
New, warmly eclectic, nostalgic foot-tappers from Tokyo, fronted by swinging garage sax, serpentine accordion and musical saw. Record nuts, all eight of em. Raymond Scott, Ra, Debussy, Joe Meek...



Pip Proud Purple Boy Gang
Australia's answer to Syd Barrett, with a VU-style side from from 1968, and a solo home-cassette-recording from thirty years later. Trailering an EM compilation in the Spring.



Brenda Ray D'Ya Hear Me!
Sweet, lo-fi, drum-machine, reggaefied D-I-Y from the early eighties. Open, warm, slyly experimental, evoking The Slits, New Age Steppers and Young Marble Giants. Lovely, nostalgic.



Roland Young Isophonic Boogie Woogie
An Afro-Steve Reich-style kalimba. Then come electric bass clarinet, soprano sax, bells, chimes and electronics. Sparse, spaced and meditative this is highly recommended. And on vinyl now. Another EM detonation.



Roland Young Istet Serenade
'Spaced acid drones of acoustic chill, embracing electronic, ambient, world, avant garde, cosmic, free and chamber jazz MUSIC.'



Roland Young Mystiphonic
His third EM, more electronic than before, but still warmly organic, blending his percussion and Kansas City-schooled jazz horn into the oceanic 'comprov'.




Sato Kunitaka Wandering Shadow Of Southern Streets
Blind travelling musician with a voice as intensely haunted and elemental as Charley Patton not standard Okinawa fare at all accompanying himself on sanshin (southern shamisen) and tategoto (upright koto).



Sheriff Lindo And The Hammer Ten Dubs That Shook The World
Anthony Maher's 1988 dub album, an Australian commingling of JA science and UK post-punk and Industrial.





The Son Of P.M. Hey Klong Yao!
A hep, hopped-up mix of Thai instruments with keyboards, drums and electric guitars; an addictive 60s blend of homegrown melodies and rock (notably The Shadows), surf, go-go, Latin, blues.



Thonghuad Faited The North East Thai Violin of Thonghuad Faited
Virtuosic, sor-led molam music from Isan, the province bordering with Laos and Cambodia sprightly melodies through haunting dirges, over woozy basslines, drones, clattering percussion.


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Tim Olive The Specialist
Live recordings of his homemade guitar, a piece of wood with two magnetic pickups, a couple of bass strings, an unwound guitar string texture and implied pulse rather than tonality and metrical rhythm.


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