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Kan Mikami Yuyake No Kioku Kara: Aomori Live
'A blood curdling 1976 live performance that proves once again that he is the ultimate acid folk/rural beatnik guttural hero... also his most private statement to date, loaded with cries of sorrow and grief...'




Eleni Karaindrou Ulysses' Gaze
Music written for Angelopoulos' film, featuring the viola of Kim Kashkashian, alongside oboe, accordion, voice, trumpet, french horn and cello.




Karuna Khyal Alomoni 1985
Nuts, pulsating, free-blues-rock from Japan: tape loops and treatments, electronics, ambient sounds and distortion, mumbled mantras, manic harmonica; Can, Faust, Guru Guru, Beefheart and Pere Ubu all evoked.




Vangelis Katsoulis The Sleeping Beauties: A Collection Of Early And Unreleased Works
Late-80s new-age stuff for TV, and plenty from the Slipping Beauty LP, with (it says here) echoes of Schulze and Eno in its synthy melancholia and ambient introspection, plus early Larry Heard, Reichian minimalism....



Kawabata Makoto And a qui avec Gabriel Golden Tree
Deeply phantasmal duetting by the Japanese female accordionist à qui avec Gabriel with a solo album on Tzadik and Acid Mothers Temple guitarist Kawabata Makoto.




Keiji Haino Live At Mission's
Crisp visual record of Haino Keiji, Kawabata Makoto from Acid Mothers Temple, and Yoshida 'Ruins' Tatsuya making a dreadful racket in a Tokyo club, December 2008.



Keiji Haino Uchu ni karami tsuiteiru waga itami
With electronic 'instruments whose user interface is close to magical: theremin-like devices such as the air-synth and air-FX, both of which are controlled by hand movements in three dimensions.'