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James Blackshaw Celeste
Essential early work from guitarist James Blackshaw, making its debut as a proper CD.



James Blackshaw Sunshrine
A welcome reissue of this wonderful early release, originally out on Digitalis and more recently as half a Bo' Weavil.



James Blackshaw Lost Prayers And Motionless Dances
A rare 2004 outing, originally released by Digitalis in an edition of 200. A sprawling, hypnotic 12-string journey, with tambura, bells, harmonium.



Tim Buckley Goodbye And Hello
From 1967, his best commercial success in his lifetime a potent mix of baroque pop and yearning, questing folk. And boy, could he sing! Several all-time highlights here.



Fred Neil Trav'lin Man: The Early Singles
Fred Neil's exceptionally rare early pop and rockabilly sides brought together at last.



Judee Sill Judee Sill
Warm, hazy and enigmatic Laurel Canyon country-folk her debut with well-measured baroque-ish brass and woodwind arrangements, reverbed and layered voices.





Allen Ginsberg New York Blues: Rags, Ballads and Harmonium Songs
Originally released on Folkways, this is the beat poet legend singing his unique songs to his own harmonium backing. Intimately captured on tape at the Chelsea Hotel by the shaman and genius Harry Smith.



Gram Parsons Another Side Of This Life
Fabulous home recordings and demos, mostly from NY 1965-66. Though rooted in the city's folk scene, and showing a big debt to Fred Neil especially, these cuts give a full indication of what was to come.



Sam Moore MOOOOHIEEE!
Unearthly musical saw and fine Hawaiian guitar soli recorded in the early 1920s.



Mia Doi Todd Sleepless Nights
Two tasty mellow tracks from the forthcoming album.



Tau Emerald Travellers Two
Deliciously ethereal and dark folk from the duo of Oxford's Sharron Kraus and Philly's Tara Burke (aka Fursaxa).



The Garden Of Forking Paths The Garden Of Forking Paths
Curator James Blackshaw brings together Espers' Swedish cellist Helena Espvall, koto virtuoso Chieko Mori, Dutch lute player Josef Van Wissem along with a track from Blackshaw himself.