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T. K. Ramamoorthy Fabulous Notes And Beats Of The Indian Carnatic-Jazz
The real thing, not yer curried bollocks: a deep fusion of the modes of traditional ragas with jazz rhythms and ideas, using a wide range of Indian and jazz instruments. Middle Eastern elements creep in, even Ethio...



Ramesh
'In 1970s Tehran, the classically-trained Ramesh played the serious, quiet marquesa against Googoosh’s languorous pop princess.' Vintage Iranian pop from rare singles: lutes, goblet drums, brass, strings, synths.






Lalith Rao Raga Darbari Kanhada, Raga Desh
'One of the most prominent representatives of Agra-Atrauli gharana. She masters all of its specificities perfectly... touching fragility and deep emotion.' Long, fluid, scrupulously modulated, droning, ecstatic.



Ravi Shankar And Ali Akbar-Kahn The Master Musicians Of India
Two ragas recorded for Prestige — with Ali Akbar-Khan, the world’s best sarod player, plus tabla and tamboura. (The first tamboura is Nodu C. Mullick, who made Shankar’s sitar.)







Rebita 74
The reissue of a 1973 showcase for Urbano de Castro, Os Kiezos and Jovens do Prenda — the hottest names in Angolan dance music at that time.




Aicha Redouane Egypt
Intense Moroccan singer improvisatorially lighting up the rare, refined nineteenth century wasla style, in suite form, with chamber orchestra — qanun zither, ud lute, kaman violin and riqq percussion.



Aicha Redouane Maqam D'Amour
The magnificent Moroccan singer in settings of eighth-century poems by the Sufi saint Rabi’a Al-'Adawiyya.