Honest Jon's
278 Portobello Road
London
W10 5TE
England
+44(0)208 969 9822
mail@honestjons.com
Your basket is empty
We ship worldwide. The postage rates for your order are displayed before payment, which is processed using Paypal. You can pay using your Paypal account or any of the following cards:
Join our mailing list
Three deep funk instrumentals — HBE on the opener. Sound-wise, doubly lethal, as alive as vinyl gets. Silvered, silk-screened sleeve; limited.
Entirely exclusive music, unique to this release, with a radiant silk-screened sleeve: four from The Marble Downs sessions with Will Oldham, a Scott Walker to start; and a side of unaccompanied folk singing.
Murderous MMM disco-house — sharp and succinct, witty and hedonistic — fore-grounding the soulfulness of the Tshetsha's singing. The OA is a cavernous, atmospheric, stately steppers.
An immersive, slashing, ecstatic thumper, just about getting Mars on the radio; and a kind of unhinged marimba and thumb-piano variation, grubbing around manically in half-memories of African polyrhythm.
Lethal footwork from three originators. The A is dancefloor murder, honed and nasty, vintage Chicago and Detroit gone clear across the SA border; the flip is a fierce, futuristic juke vocal collage, hard as nails.
...
A limited-edition bag made by Carhartt, with our logo printed in white onto an outside pocket. Super-heavy black cotton, fully lined throughout; numerous compartments, two zipped; extra-strength stitching.
Extra to the LP, with a magnificent, epic, head-scrambling remix, more spaced and spooked than the original. Shackleton's dream liturgy fully unfolds — an eerie, garbled sublimity, a kind of black-magic plainsong.
The implacable, alien Son Of Sleng Teng — a beast of of a tune, lumbering and snuffling, one-of-a-kind — bleeping, buzzing, knocking, dripping, reverberating... and unresolved in nine minutes.
The two dubstep pioneers at the top of their game. Truly an album, the music is multi-levelled — dark as anything at times, but engrossingly varied and emotionally shaded, always on the move.
Originally released in 1980: the final work to emerge from the Black Ark studio, before its permanent destruction, crossing the soundworld of Roast Fish Collie Weed And Cornbread into new hybrids.
TP's is an uglier-than-ugly edit, with no let-up for thirteen minutes, layered and shot with synth washes, bleeps and alarms, galloping drums, clattering percussion; Burnt's mix is more chilled, lithe, dubwise.
Please click the Round button to continue.
(You only need to do this check once)
