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Mukunguni
New Recordings From Coast Province, Kenya

HONEST JON'S RECORDS

Stefan Schneider and Sven Kacirek's scintillating recordings of the Mijikenda tribes, made in different spots in and around Mukunguni village, coastal Kenya: mostly healing music for mental problems, but also love-songs, and spiritual contributions to weddings and burials.
Besides the Sengenya drums — bumbumbu, dahdahe, chapuro, vumi, ngoma — there are lungo and dena (metal rings), kayamba (raft rattle), njunga (bells), ukaya (metal tray), bamba (metal guiro) and bottle-tops.
Our opener is solo dena, played to sound like a bat, with the ear for frequency and timbre of a stringent avant-garde minimalist. There are the piercing, reeded nzumari oboe and bung'o horn, sounding like fierce free-jazz improvisation; and two gently stunning marimba solos, with complex, overlaid melodies and rhythms, played in polyphonic accents, almost like talking drums.
Most of the recordings here are songs, with strong tunes, robustly delivered, with different lead voices. Matatizo — 'Worries' — was recorded spontaneously at a bus-stop, waiting for a ride: a Swahili love-song, to the accompaniment of five or so people clapping and rubbing their palms together. 'The lord conferred this love on us, my sister. Is it human, or from the angels? Does it emanate from binoculars... or computers? I can't figure it out, but my heart aches so badly.'





London Is The Place For Me 5 And 6: Afro-Cubism, Calypso, Highlife, Mento, Jazz
At last, a fresh delivery of open-hearted, bitter-sweet, mash-up postcards to the here and now, from young black London.
Proper Brit Pop.





Wareika Hill Sounds No More War EP
Evoking his time with Count Ossie, four new grounation furies — hypnotic, thunderous, urgent, mystical — with dubwise repeta, funde and bass drums embedding the Light Of Saba man's t-bone classicism.




Elmore Judd, Bullion Petrol Laughs EP
Cold-sweat compounds of art-funk, baglama high-life and horrorama; Bullion reincarnated as replicant eighties soul-boy, blue-eyed amongst his synths and metal percussion.



Moritz Von Oswald Trio Fetch
At its darkest and most driving. The group is clear and unanimous — this is their best yet.



Las Malas Amistades Maleza
‘The bad influences’, from Bogota, with their third album for us: twenty-eight gorgeous variations of saudade, in a warmly acoustic, post-punk take on Tropicalismo — impromptu, snapshot and sublime.



Kelan Philip Cohran And The Hypnotic Brass Ensemble
Brand new recordings, this is majestic, surging, scintillating music — with swing, jump and shout, Sun Ra, Mingus and Gil Evans, Arab-Andalusian music, hip hop and New Orleans funk all coursing through.





Trembling Bells Featuring Bonnie 'Prince' Billy The Marble Downs
'Hair-raisingly good... incandescent' (The Observer).



Rocket Juice & The Moon
'Inventive, fresh and melodic' 4/5 (The Guardian); 'bound to be underrated... impeccably edited and segued' (The Onion); 'may be the most forward-looking music you hear all year' (Rolling Stone).



Rocket Juice & The Moon Manuela
Two exclusives: Erykah Badu's irresistible do-over of the euphoric album instrumental There, with Malian synth-freak Tidiane Seck; and a dub by Mark Ernestus. Lovely silk-screened sleeve.



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