Honest Jon's
278 Portobello Road
London
W10 5TE
England

+44(0)208 969 9822
mail@honestjons.com

 

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Morphosis
Dismantle

HONEST JON'S RECORDS

Two sick techno killers, stalking the perimeters of noise; and generous excerpts from a soundtrack to Dreyer's Vampyr, with Sun Ra in its marrow, alternately driving and motorik, off-the-wall, lost in space.





Mukunguni New Recordings From Coast Province, Kenya
Stefan Schneider and Sven Kacirek's scintillating recordings of the Mijikenda tribes, made in different spots in and around Mukunguni village, coastal Kenya: spiritual and healing music, and love-songs.



London Is The Place For Me 5 And 6: Afro-Cubism, Calypso, Highlife, Mento, Jazz
At last, a fresh delivery of open-hearted, bitter-sweet, mash-up postcards to the here and now, from young black London.
Proper Brit Pop.





Wareika Hill Sounds No More War EP
Evoking his time with Count Ossie, four new grounation furies — hypnotic, thunderous, urgent, mystical — with dubwise repeta, funde and bass drums embedding the Light Of Saba man's t-bone classicism.




Elmore Judd, Bullion Petrol Laughs EP
Cold-sweat compounds of art-funk, baglama high-life and horrorama; Bullion reincarnated as replicant eighties soul-boy, blue-eyed amongst his synths and metal percussion.



Moritz Von Oswald Trio Fetch
At its darkest and most driving. The group is clear and unanimous — this is their best yet.



Las Malas Amistades Maleza
‘The bad influences’, from Bogota, with their third album for us: twenty-eight gorgeous variations of saudade, in a warmly acoustic, post-punk take on Tropicalismo — impromptu, snapshot and sublime.



Kelan Philip Cohran And The Hypnotic Brass Ensemble
Brand new recordings, this is majestic, surging, scintillating music — with swing, jump and shout, Sun Ra, Mingus and Gil Evans, Arab-Andalusian music, hip hop and New Orleans funk all coursing through.





Trembling Bells Featuring Bonnie 'Prince' Billy The Marble Downs
'Hair-raisingly good... incandescent' (The Observer).



Rocket Juice & The Moon
'Inventive, fresh and melodic' 4/5 (The Guardian); 'bound to be underrated... impeccably edited and segued' (The Onion); 'may be the most forward-looking music you hear all year' (Rolling Stone).



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