LW’s the genius behind Marvin’s I Want You and the genie in nuff Theo and KDJ records. Here’s his two-step touchstone from 1982, featuring the bim bimmer Why I Came To California, and Somewhere, a duet with the great Flora Purim. (Airto’s on call, too.)

‘Their second and final LP, from 1973, with the same AACM-derived line-up as the first, plus Rufus Reid. Spiritual jazz, free jazz, soul jazz, fusion jazz, you name it — The Awakening take all those threads common to early ‘70s African-American music and, like any great ensemble, weave them into a beautiful sonic garment that’s greater than the sum of its parts. The Mirage is a bit less political/pan-African than Hear, Sense And Feel, which definitely owed some of its feel to the band’s Art Ensemble of Chicago/AACM roots; this record is a little more abstract, a little more varied in its moods and textural colouring, yet no less powerful and transporting.’

Spiritual jazz from early-seventies Chicago, by a sextet combining members of the AACM and Phil Cohran’s Artistic Ensemble, augmented by bassist Richard Evans for Brand New Feeling. You can hear co-leaders Ken Chaney and Frank Gordon’s years together in Young-Holt in Kera’s Dance; the Art Ensemble, brought to the heel of Alice Coltrane, in the bells and chimes of the killer cut Will It Ever End; your favourite CTI records in the electric piano-playing, freshly luminous throughout.
A bonafide Black Jazz classic.

The LPs are sky blue vinyl, in an alternative cover.

Donato Dozzy & Neel.